diff --git a/site/writings/digitalfreedom.org b/site/writings/digitalfreedom.org
new file mode 100644
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--- /dev/null
+++ b/site/writings/digitalfreedom.org
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+#+title: Hardware freedom
+#&summary
+A discussion about hardware freedom. Contains comparisons with software
+freedom.
+#&
+#+license: wtfpl
+
+
+https://www.fsf.org/resources/hw/endorsement/criteria
+https://www.fsf.org/campaigns/free-bios.html
+https://www.gnu.org/philosophy/android-and-users-freedom.html
+http://projects.goldelico.com/p/gta04-main/page/FirmwareInjector/?rev=322
+http://www.oreillynet.com/linux/blog/2007/08/the_four_freedoms_applied_to_h.html
+http://www.boingboing.net/2010/09/19/intel-drm-a-crippled.html
+http://lists.en.qi-hardware.com/pipermail/discussion/2010-January/001635.html
+http://www.ofb.biz/safari/article/353.html
+http://arstechnica.com/business/news/2006/12/8428.ars
+http://distrowatch.com/weekly.php?issue=20100614#feature
+http://libreplanet.org/wiki/When_should_firmware_be_free
+http://www.datamation.com/osrc/article.php/3787736/Proprietary-Firmware-and-the-Pursuit-of-a-Free-Kernel.htm
+https://lwn.net/Articles/352555/
+https://lwn.net/Articles/460654/
+http://lists.goldelico.com/pipermail/gta04-owner/2011-October/000375.html
+http://lists.goldelico.com/pipermail/gta04-owner/2011-September/000325.html
+
+
+
+centralisering
+
+I don't want to depend on something which I cannot control.
+
+I don't want to depend on something which I cannot influence.
+
+
+depend on:
++ data durability
++ privacy
+
+I like to follow this rule: When I create something substantial which I want to
+share, I host it myself. But why? Because I don't want to depend on something
+which I cannot control.
+
+Downside loss of social
+
+Requires widespread use of a decentralized social network to share private data
+with a select few.
+
+The difficulty of leaving a service is determined by the complexity of the
+social features of the service.
+
+I only host my own works somewhere else than on my own host if I feel that I
+have a social obligation to do so, or if it's a link that points out of the
+service. I don't mind if what Facebook ends up being is the new digg.
+
+The more difficult it is to leave a service, the more I feel I have a *social*
+obligation to host my works on the service. However, the more difficult it is to
+leave a service, the more I also feel that I have a *moral* obligation to /not/
+host my works on the service.
+
+I don't wish to host substantial works, even public ones, on e.g. Facebook. Not
+because Facebook gets to know them (I have made sure I don't mind them being
+public), but because I use a service which I don't like, and that may fuel the
+use in general, especially for my friends. As such, it doesn't matter what I
+publish on the service, it will no matter what (in varying degrees) accelerate
+the use of the service, which I do not want to happen.
+
+In general, it's a balance. I try not to make others depend on Facebook because
+of me; I do that by not uploading large photo galleries to Facebook. However,
+photo galleries on Facebook have quite complex features. 
+
+Collaborative sites
diff --git a/site/writings/ordfinder/index.org b/site/writings/ordfinder/index.org
new file mode 100644
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+++ b/site/writings/ordfinder/index.org
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+#+title: Old junk code: Word finder
+#+summary: Less than perfect C code 
+#+license: wtfpl, unless otherwise noted
+#+startup: showall
+#&toc
+
+
+* Old junk code: Word finder
+
+#+caption: Based on [[https://commons.wikimedia.org/wiki/File:2001-91-1_Computer,_Laptop,_Pentagon_(5891422370).jpg][this]], CC BY 2.0
+#&img;url=sadcomputer.png, float=right
+
+If you ever get tired of looking at your own junk code, take a look at this.
+
+In August 2008, when I was still learning to program in C, I created a program
+"ordfinder" (eng: word finder) which, given a word and a dictionary, prints the
+words from the dictionary which can be created from the letters from the given
+word in any order. Incredibly, it ended up compiling and works perfectly for any
+word whose length does not exceed 8 characters, although it is a bit slow.
+
+But why not more than 8 characters? My view of memory might have been a bit
+naive back then, because the first step in my algorithm is to generate and
+store all permutations of all subsequences of the given word. That is, if the
+string is "me", my program stores the array `{ "m", "e", "me", "em" }` in
+memory before going on to reading the dictionary and looking for matches.
+
+If the string is "you", the program stores `{ "y", "o", "yo", "oy", "u", "yu",
+"uy", "ou", "uo", "you", "yuo", "oyu", "ouy", "uyo", "uoy" }`.
+
+If the string is "computer", the program stores the 109600 permutations of the
+subsequences of "computer".
+
+If the string is "difficult", the length of 9 characters means that the program
+attempts to store 986409 strings of lengths 1 to 9. That probably takes up not
+more than 10 MB, so it shouldn't be a problem. However, my program seems to
+store the list of words on the stack instead of in memory, so words with length
+9 or above cause a stack overflow to happen.
+
+In any case, a word length of 10 would require about 100 MB, a word length of 11
+about 1.2 GB, a word length of 12 about 15.6 GB, and a word length of 17 (like
+"inconspicuousness") about 16,5 Petabytes (16500000 GB). That's 6,5 Petabytes
+*more* than [[http://archive.org/web/petabox.php][what the Internet Archive uses]] to store millions of websites, books,
+video and audio.
+
+So perhaps neither my algorithm nor my implementation was that good.
+
+
+* The code
+
+Note that this code doesn't actually compile, because of all the wrong
+code. However, it did compile back in 2008 which means that either I added the
+wrong code after I had compiled it, or I used an overfriendly compiler (I don't
+remember which compiler it was, but it ran on Windows). I have run the old
+executable with `wine`, and that works.
+
+It's not necesarry to know C to laugh at this code, but it helps.
+
+We'll start with some basic `#include`s.
+
+#+BEGIN_SRC c
+#include <stdio.h>
+#include <stdlib.h>
+#include <string.h>
+#include <ctype.h>
+#include <math.h>
+#+END_SRC
+
+So far, so good. Then the global variables with descriptive names. And let's
+declare four strings of length 0 to be statically allocated, because we'll just
+extend them later on...?
+
+#+BEGIN_SRC c
+char os[0],s[0],r[0],t[0];
+int l,c,rc,k,sk,i,ii,iii,ri;
+#+END_SRC
+
+The next step is to define our own version of C's builtin `strstr` function
+(almost). I was used to PHP, so I wanted the same return values as PHP's
+`strpos`.
+
+#+BEGIN_SRC c
+int strpos (const char *haystack, const char *needle) {
+  int i;
+
+  if (strlen (haystack) < strlen (needle))
+    return -1;
+
+  for (i = 0; i <= (strlen (haystack) - strlen(needle)); i++) {
+    if (!strncmp (&haystack[i], needle, strlen(needle)))
+      return i;
+  }
+
+  return -1;
+}
+#+END_SRC
+
+Then it's time for the main function. We don't want to separate it into
+auxiliary functions, because that's just ugly!
+
+Indentation? Too much wastes too much space.
+
+#+BEGIN_SRC c
+int main(int argc, char *argv[])
+{
+ if (argc>1) {
+ strcpy(os,argv[1]);
+ }
+ else {
+ printf("Indtast ord: ");
+ gets(os);
+ }
+ printf("T\x91nker...\n");
+ strcpy(s,os);
+ for(i=0;s[i];i++) {
+ s[i]=tolower(s[i]);
+ }
+#+END_SRC
+
+Wait, what? We use `strcpy` to copy the string `argv[1]`, which contains the
+word we want to permute, into the statically allocated `os` with length 0? Or we
+read a line from standard in and save in `os`? And almost the same for `s`?
+That's... not good.
+
+At least these two lines aren't that bad.
+
+#+BEGIN_SRC c
+ l=strlen(s);
+ c=pow(l,l);
+#+END_SRC
+
+But then begins the actual permutation generation logic. I have tried to
+re-understand it, with no success.
+
+#+BEGIN_SRC c
+ rc=1;
+ i=0;
+ while (i<l-1) {
+ rc=rc*(l-i);
+ i++;
+ }
+#+END_SRC
+
+While we're at it, why not declare two to-be-statically-allocated arrays with
+dynamically-generated ints as lengths?
+
+#+BEGIN_SRC c
+ int ca[l];
+ char ra[rc][l+1];
+#+END_SRC
+
+And then some more assignments and `while` loops...
+
+#+BEGIN_SRC c
+ ri=0;
+ i=0;
+ while (i<c) {
+ k=1;
+ ii=0;
+ while (ii<l && k==1) {
+#+END_SRC
+
+This formula does something. I'm not sure what.
+
+#+BEGIN_SRC c
+ ca[ii]=floor(i/pow(l,l-ii-1))-floor(i/pow(l,l-ii))*l;
+#+END_SRC
+
+More `while` loops, now also with `if` statements.
+
+#+BEGIN_SRC c
+ iii=0;
+ while (iii<ii) {
+ if (ca[ii]==ca[iii]) {k=0;}
+ iii++;
+ }
+ ii++;
+ }
+ if (k==1) {
+ strcpy(ra[ri],"");
+ ii=0;
+ while (ii<l) {
+ strncpy(t,s+ca[ii],1);
+#+END_SRC
+
+Let's concatenate `t` onto `ra[ri]`, a string which hardly exists due to the
+`char ra[rc][l+1];` magic above.
+
+#+BEGIN_SRC c
+ strcat(ra[ri],t);
+ ii++;
+ }
+#+END_SRC
+
+And why not concatenate an end-of-string mark onto a string which, if it
+doesn't have an end-of-string mark, will make `strcat` fail miserably?
+
+#+BEGIN_SRC c
+ strcat(ra[ri],"\0");
+#+END_SRC
+
+And then more junk.
+
+#+BEGIN_SRC c
+ sk=1;
+ ii=0;
+ while (ii<ri && sk==1) {
+ if (strcmp(ra[ri],ra[ii])==0) {sk=0;}
+ ii++;
+ }
+ if (sk==1) {
+ //printf("%s\n",ra[ri]);
+ ri++;
+ }
+ }
+ i++;
+ }
+ //printf("\nOrd: %s\nOrdl\x91ngde: %d\nOrdkombinationer: %d\n",os,l,ri);
+#+END_SRC
+
+Phew... At this point, I'm certain that `ra` is supposed to be an array of all
+word permutations. So let's open our dictionary "ord.txt" and look for matches.
+
+#+BEGIN_SRC c
+ FILE *f;
+ char wrd[128];
+ if (f=fopen("ord.txt","r")) {
+ FILE *fw;
+#+END_SRC
+
+Everything is written both to output.txt *and* standard out. Anything else would
+be stupid.
+
+#+BEGIN_SRC c
+ fw=fopen("output.txt","w");
+ printf("Ord dannet af \"%s\":\n\n",os);
+ fprintf(fw,"Ord dannet af \"%s\":\n\n",os);
+ int wc=0;
+ while(!feof(f)) {
+ if(fgets(wrd,126,f)) {
+#+END_SRC
+
+The words each end with a newline, so let's replace the newline with an
+end-of-string mark.
+
+#+BEGIN_SRC c
+ wrd[strlen(wrd)-1]=0;
+ //printf("%s\n",wrd);
+ k=0;
+ ii=0;
+ while (ii<ri && k==0) {
+#+END_SRC
+
+The magical core of the matching logic, using our own `strpos`:
+
+#+BEGIN_SRC c
+ if (strpos(ra[ii],wrd)>-1) {k=1;}
+#+END_SRC
+
+If ~k == 1~, something good happens. But it doesn't happen at once for some
+reason.
+
+#+BEGIN_SRC c
+ ii++;
+ }
+ if (k==1) {
+ printf("%s\n",wrd);
+ fprintf(fw,"%s\n",wrd);
+ wc++;
+ }
+ }
+ }
+ printf("\nI alt %d ord\n",wc);
+ fprintf(fw,"\nI alt %d ord",wc);
+ fclose(fw);
+ fclose(f);
+ system("output.txt");
+ }
+ return 0;
+}
+#+END_SRC
+
+And that's my pretty C code.
+
+
+* The SML equivalent
+
+To make my inefficient algorithm a bit clearer, I have made a few SML functions
+to do the same as above:
+
+#+BEGIN_SRC ocaml
+open List
+
+(* Removes an element from a list. *)
+fun remove x (y :: ys) = if x = y
+                         then ys
+                         else y :: remove x ys
+
+(* Tails of a list. Stolen from Haskell's Data.List. *)
+fun tails [] = [[]]
+  | tails (xxs as (_ :: xs)) = xxs :: tails xs
+
+(* Non-empty subsequences of a list. Stolen from Haskell's Data.List. *)
+fun nonEmptySubsequences [] = []
+  | nonEmptySubsequences (x :: xs) =
+    let
+        fun f (ys, r) = ys :: (x :: ys) :: r
+    in 
+        [x] :: foldr f [] (nonEmptySubsequences xs)
+    end
+
+(* All permutations of a list. *)
+fun permutations [] = [[]]
+  | permutations xs =
+    let
+        fun subPermutations x = map (fn ys => x :: ys) (permutations (remove x xs))
+    in
+        concat (map subPermutations xs)
+    end
+
+
+(* Permutations of subsequences of a list. *)
+fun subsequencePermutations xs = concat (map permutations (nonEmptySubsequences xs))
+
+(* The same, but for a string. *)
+fun stringSubsequencePermutations s = map implode (subsequencePermutations (explode s))
+
+(* Finds words in `wordList` which matches any permutation of any subsequence
+ * of `word`. *)
+fun findMatchingWords word wordList =
+    let
+        val wordPermutations = stringSubsequencePermutations word
+    in
+        filter (fn testWord =>
+                   exists (fn word => word = testWord)
+                          wordPermutations) wordList
+    end
+#+END_SRC
+
+As well as some SML functions to calculate the number of permutations and bytes:
+
+#+BEGIN_SRC ocaml
+(* Calculates the factorial. *)
+fun factorial 0 = 1
+  | factorial n = n * factorial (n - 1)
+
+(* Calculates the binomial coeffecient. *)
+fun binomc n k = factorial n div (factorial k * factorial (n - k))
+
+(* Gives [m, m + 1, ..., n]. *)
+fun upTo m n = if m < n
+               then m :: upTo (m + 1) n
+               else [m]
+
+(* Gives the total number of word subsequence permutations for a given word
+ * length. *)
+fun nPermutations len = foldl op+ 0 (map (fn n => factorial n * binomc len n)
+                                         (upTo 1 len))
+
+(* Gives the size in bytes for storing all word subsequence permutations for a
+ * given word length in a space-saving way: there are `len` arrays, each taking
+ * up space for the pointer to the array and the permutations of subsequences of
+ * length n where `1 <= n <= len` and n is unique.
+ *)
+fun nSize len = 8 * len + foldl op+ 0 (
+                map (fn n => (n + 1) * factorial n * binomc len n)
+                    (upTo 1 len))
+#+END_SRC
+
+* The alternative
+
+Preprocess the dictionary into a clever data structure and don't use up all the
+memory.
+
+
+#&line
+
+Originally published [[http://dikutal.dk/artikler/old-junk-code-word-finder][here]].
diff --git a/site/writings/ordfinder/sadcomputer.png b/site/writings/ordfinder/sadcomputer.png
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diff --git a/site/writings/sound-programming/index.org b/site/writings/sound-programming/index.org
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+#+title: Sound Programming
+#+summary: Programming sound in Live-Sequencer and ChucK
+#+license: wtfpl, unless otherwise noted
+#+startup: showall
+#&toc
+
+Much can be programmed, and that includes sound. In the digital world, sound is
+typically represented by sequences of about 90 kB per second, so "printing"
+sound is merely a matter of printing bytes. As such, any general purpose
+language can be used to generate sounds.
+
+However, it's boring to create a program that does nothing but print bytes, and
+it's potentially difficult to make those bytes sound nice; we want abstractions
+to simplify matters for us: instruments, drums, musical notes, and a high-level
+program structure. Many programming languages have good libraries that allow us
+to achieve just that, but to keep it simple we'll focus on how to program sound
+in two languages designed to output sound: ChucK and Live-Sequencer.
+
+Let's create some sounds.
+
+
+* The square wave
+
+We'll start with ChucK and a small square wave program:
+
+#+BEGIN_SRC c
+// Connect a square oscillator to the sound card.
+SqrOsc s => dac;
+
+// Set its frequency to 440 Hz.
+440 => s.freq;
+
+// Lower the volume.
+0.1 => s.gain;
+
+// Let it run indefinitely.
+while (true) {
+    1000::second => now;
+}
+#+END_SRC
+
+ChucK is an imperative language. Instructions on how to install and run it can
+be found on its [[http://chuck.cs.princeton.edu/][website]], along with other useful information. You can listen to
+the above sound [[square.flac][here]].
+
+To do the same in Live-Sequencer, we must find a square wave "instrument" and use
+that.
+
+#+BEGIN_SRC haskell
+module SquareWave where
+
+-- Basic imports.
+import Prelude
+import List
+import Midi
+import Instrument
+import Pitch
+
+-- The function "main" is run when the program is run.
+              -- It returns a list of MIDI actions.
+main = concat [ program lead1Square -- Use a square wave instrument.
+              , cycle (             -- Keep playing the following forever.
+                note 1000000 (a 4)  -- Play 1000000 milliseconds of the musical note A4
+                )                      -- about 440 Hz.
+              ];                    -- End with a semicolon.
+#+END_SRC
+
+Live-Sequencer differs from ChucK in that it is functional, but another major
+difference is that while ChucK (in general) generates raw sound bytes,
+Live-Sequencer generates so-called MIDI codes, which another program converts to
+the actual audio. Live-Sequencer has a couple of funky features such as
+highlighting which part of one's program is played; read about it and how to
+install and run it at [[http://www.haskell.org/haskellwiki/Live-Sequencer][this wiki]]. You can listen to the above sound [[squarewave.flac][here]].
+
+
+* Something more advanced
+
+Let's try to create a small piece of music which can be expressed easily in
+Live-Sequencer (listen [[melodyexample.flac][here]]):
+
+#+BEGIN_SRC haskell
+module MelodyExample where
+
+import Prelude
+import List
+import Midi
+import Instrument
+import Pitch
+
+-- Durations (in milliseconds).
+en = 100;
+qn = 2 * en;
+hn = 2 * qn;
+wn = 2 * hn;
+
+twice x = concat [x, x];
+
+main = cycle rpgMusic;
+
+rpgMusic = concat [ partA g
+                  , [Wait hn]
+                  , twice (partB [b, d])
+                  , partB [a, c]
+                  , partA b
+                  ];
+
+partA t = concat [ program frenchHorn
+                 , mel2 c e 4
+                 , mel2 c e 5 -- The '=:=' operator merges two lists of actions
+                   =:=        -- so that they begin simultaneously.
+                   (concat [ [Wait wn]
+                           , mel2 d t 3
+                           ])
+                 ];
+
+partB firsts = concat [ program trumpet
+                      , concat (map mel0 [c, e])
+                        =:=
+                        mergeMany (map mel1 firsts)
+                      ];
+
+-- Instrument-independent melodies.
+mel0 x = concat [ note wn (x 3)
+                , note hn (x 4)
+                , note en (x 2)
+                , [Wait wn]
+                , twice (note qn (x 2))
+                ];
+
+mel1 x = concat [ note (wn + hn) (x 5)
+                , note (hn + qn) (x 4)
+                ];
+
+mel2 x y n = concat [ twice (note qn (x 3))
+                    , concatMap (note hn . y) [3, 4, 4]
+                    , note wn (x n) =:= note wn (y n)
+                    ];
+#+END_SRC
+
+When you play the program from the Live-Sequencer GUI, the code in use is
+highlighted:
+
+#&img;url=sound-highlight.png, width=640, center, caption=Highlighting of sound, screenshot 
+
+The same could be expressed in ChucK, but the comparison wouldn't be fair. While
+Live-Sequencer is designed for describing melodies, ChucK's purpose is sound
+synthesis, which is more general. We'll create something more fitting of ChucK's
+capabilities, while still focusing on the use of instruments (listen [[more_advanced.flac][here]]):
+
+#+BEGIN_SRC c
+// Background music for an old sci-fi horror B movie.
+
+// Filters.
+Gain g;
+NRev reverb;
+
+// Connect the Gain to the sound card.
+g => dac;
+
+// Connect the data sent to the sound card through the reverb filter back to the
+// sound card.
+adc => reverb => dac;
+
+// Instruments.
+Mandolin mandolin;
+0.2 => mandolin.gain;
+Sitar sitar;
+0.8 => sitar.gain;
+Moog moog;
+
+// Instrument connections to the Gain.
+mandolin => g;
+sitar => g;
+moog => reverb => g;
+
+// Play a frequency 'freq' for duration 'dura' on instrument 'inst'.
+fun void playFreq(StkInstrument inst, dur dura, int freq) {
+    freq => inst.freq; // Set the frequency.
+    0.1 => inst.noteOn; // Start playing with a velocity of 0.1.
+    dura => now;
+    0.1 => inst.noteOff; // Stop playing.
+}
+
+// Play a melody.
+fun void a_melody(StkInstrument inst, int freq_offset) {
+    int i;
+
+    // Fork the command to play "in the background".
+    spork ~ playFreq(moog, 600::ms, 400 - freq_offset);
+
+    for (0 => i; i < 3; i++) {
+        playFreq(inst, 200::ms, 220 + freq_offset + 10 * i);
+    }
+
+    // Create an array and use every element in it.
+    [3, 4, 4, 5, 3] @=> int ns[];
+    for (0 => i; i < ns.cap(); i++)
+    {
+        playFreq(inst, 100::ms, ns[i] * 132 + freq_offset);
+    }
+}
+
+// Infinite sound loop of pseudo-random frequencies.
+while (true) {
+    spork ~ a_melody(moog, Math.random2(0, 30));
+    Math.random2f(0.4, 0.9) => g.gain; // Adjust the gain.
+    a_melody(mandolin, Math.random2(0, 350));
+    a_melody(sitar, Math.random2(200, 360));
+}
+#+END_SRC
+
+
+* Algorithmic composition
+
+Why not have the computer generate the melody as well as the sound? That
+*sounds* like a great idea!
+
+Enter [[https: / / en.wikipedia.org / wiki / L-system][L-systems]]. An L-system has an alphabet and a set of rules, where each rule
+is used to transform the symbol on the left-hand side to the sequence of symbols
+on the right-hand side. We'll use this L-system to generate music:
+
+#+BEGIN_SRC c
+-- Based on https://en.wikipedia.org/wiki/L-system#Example_7:_Fractal_plant
+Alphabet: X, F, A, B, P, M
+Rules:
+  X -> FMAAXBPXBPFAPFXBMX
+  F -> FF
+#+END_SRC
+
+If we evaluate a L-system on a list, the system's rules are applied to each
+element in the list, and results are concatenated to make a new list. If we
+assign each symbol to a sequence of sounds and run the L-system a few times, we
+get [[lsystem.flac][this]].
+
+#+BEGIN_SRC haskell
+module LSystem where
+
+import Prelude
+import List
+import Midi
+import Instrument
+import Pitch
+
+en = 100;
+qn = 2 * en;
+hn = 2 * qn;
+wn = 2 * hn;
+
+-- Define the L-System.
+data Alphabet = X | F | A | B | P | M;
+expand X = [F, M, A, A, X, B, P, X, B, P, F, A, P, F, X, B, M, X];
+expand F = [F, F];
+expand _ = [];
+
+-- Map different instruments to different channels.
+channelInsts = concat [ channel 0 (program celesta)
+                      , channel 1 (program ocarina)
+                      , channel 2 (program sitar)
+                      ];
+
+-- Define the mappings between alphabet and audio.
+interpret X = [Wait hn];
+interpret F = channel 0 (note qn (c 4));
+interpret A = channel 1 (note qn (a 5));
+interpret B = channel 1 (note qn (f 5));
+interpret P = channel 2 (note hn (a 3));
+interpret M = channel 2 (note hn (f 3));
+
+-- A lazily evaluated list of all iterations.
+runLSystem expand xs = xs : runLSystem expand (concatMap expand xs);
+
+-- The sound from a L-System.
+getLSystemSound expand interpret iterations start
+  = concatMap interpret (runLSystem expand start !! iterations);
+
+-- Use the third iteration of the L-System, and start with just X.
+main = channelInsts ++ getLSystemSound expand interpret 3 [X];
+#+END_SRC
+
+Using an L-system is one of many ways to take composition to a high
+level. L-systems can be used to generate fractals, which are nice.
+
+    
+* And so on
+
+Many abstractions in sound generation allow for fun sounds to happen. Interested
+people might want to also take a look at e.g.  [[http://haskell.cs.yale.edu/euterpea-2/][Euterpea]], [[http://puredata.info/][Pure Data]], or [[http://csounds.com/][Csound]].
+
+#&line
+
+Originally published [[http://dikutal.dk/artikler/sound-programming][here]].
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